Bocklin painted numerous versions of Isle, but it is Rachmaninoff's dirgelike vision of the rowing motif, the Dies Irae of the Latin mass, that remains as constant. and, in typical Rachmaninoff fashion, the BSO is perfect for the piece with its sweeping tonality, clashes of chromaticism, and simple theme, yet complex underpinnings.
Stravinsky studied under the great Russian pedagogue and master of the tone poem, Rimsky-Korsakoff. This is nowhere near as obvious as listening to the harmonization and almost studied use of the different sections of the orchestra in their technical glory. Indeed, the opening of the Scherzo fantastique almost sounds as if a younger Rimsky-Korsakoff added on to Scheherazade or Tsar Sultan. Comic and tragic both, every instrument scored is left out to "sink or swim" and is exposed in the delightful character of the piece.
The story of Shostakovich's Symphony #10, is quite different. Fighting for decades with the whims of Josef Stalin, Shostakovich was at times in favor, at times out of favor, depending on the whim of the Party and whether they...
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